The theater continues two important repertoire lines — ordering music from Russian composers and supporting young choreographers. In recent seasons, the troupe's artists, who are trying themselves as directors, have gone through several stages: performances in annual Christmas Concerts, staging movements in operas, miniatures in the Gala Ural Ballet, the Dance Artel program. The next step is to work together on a big performance.
Four of Charles Perrault's ten fairy tales were chosen: Puss In Boots, Little Red Riding Hood, Bluebeard and Tom Thumb. Together with the prologue and epilogue, they form a whole performance — that fairy tales can be kind and cruel; that the appearance of beauties and monsters can be deceptive; that all people are different, and no appearance deprives the right to rejoice, grieve and love.
Tales of Perrault is not addressed to kids. The authors expect to have a dialogue with a young audience over the age of 12.
The ballet was commissioned by the Ural Opera
Nastasia Khrushcheva's music was written within the framework of the Program of creative orders of the Union of Composers of Russia Notes and Quotas with the financial support of the Ministry of Culture of the Russian Federation
